The new proposal is centred around a lofty dining area and kitchen. The roof has been created using a ‘diaphragm’ of Douglas Fir and plywood to create a span free space without steel. The link to the original farmhouse is to the right- which can be closed by two large sliding doors.
To the northern end of the house lies the client’s textile studio. Overlooking the chalk valley and pond (filled, as we found out, with Great Crested Newts) the dual aspect space is amply lit and ventilated by MVHR as well as a rooflight. Quilts- the client’s main output- hang from the ridgeline. This studio is adjacent to a small studio also suitable for gymnastics.
Orchard is set within a new landscape, although the soft planting has been paused to allow the house to nestle into the surrounding AONB. When grown the planting will meld at low level and leave only the doors visible, and a chance to look out from the internal spaces into the garden.
As a counterpoint, his space forms a large wood working studio, partly making use of the existing stables on site. The language of the Douglas Fir is visible here, but structurally diverse- in part because above there is a bat loft, built in line with Dorset’s planning requirements.
Eaves, photo by Studio MAY